On December 22nd, the 4th National Congress of Chinese Opera Performance Association and the 1st Chinese Opera Performance Art hosted by the Chinese Opera Performance Society and the People's Government of Yixiu District of Anqing and organized by Digital World (Beijing) Technology & Culture Co., Ltd. The VR Industry Summit Forum was held in Anqing, and VR Network () as a specially invited media participated in the forum. The 4th Member Congress of the Chinese Opera Performance Society and the 1st Chinese Opera Performance Art +VR Industry Summit Forum The forum focused on the topic of contemporary integration of traditional opera performing arts and modern science and technology and interactive interaction with virtual reality VR new industries to promote the creative transformation and innovative development of Chinese opera performance arts, broadening the application fields of modern science and technology and the way forward . Assistant Director of the Chinese Opera Performance Society, Assistant Dean and Lecturer Yi Dong of Wuhan University Art Academy, Standing Director of the Chinese Opera Performance Society, former Vice President and Research Fellow of the Fujian Academy of Art, Lin Ruiwu, Executive Director of Digital World, He Yimin, Beijing Dynasties Digital Entertainment Li Hongxin, General Manager of Science & Technology Co., Ltd., Zhang Weilong, Marketing Director of Beijing Huijie Technology Co., Ltd., and Zhang Wulong, Technical Consultant of Beijing Youth International Culture and Art Association, and the founder of Chengdu Jimu Chuangyi Arts Co., Ltd., who is the head of VR photography and production base of Guangdong intangible cultural heritage, Xie Haifeng The round table forum session of this event. The six guests respectively expressed their opinions on the topic of traditional opera culture, the demand for modern science and technology, and the technology that VR and other technologies can bring to the development of drama culture. VR network for everyone to organize this round table forum focused content as follows: Roundtable Forum Q: Where is the demand for modern science and technology from traditional opera culture inheritance? Chinese Academy of Performing Arts Executive Director, Assistant Dean of Wuhan University Art College, Lecturer Yi Dong: I participated in this kind of meeting for the first time. I think this is a very beautiful plus. This plus sign is worthy of our advocacy, it will allow us to have infinite cooperation, encounter, interaction and communion. The Chinese Opera Performance Society and related colleagues have joined hands to organize this summit forum. For me, it is a particularly novel experience. It also draws on the experience of many experts. Executive Director of Chinese Opera Performance Society, Assistant Dean of Wuhan University Art Institute, Lecturer Yi Dong With regard to the combination of the traditional culture of traditional opera art, there are many ideas that can be explored. I have also made some reflections on the contemporary development of traditional culture and opera art and its connection with modern science and technology: The connection between traditional opera culture and modern science and technology, I think what we are looking forward to is the realm of "ancient and new". In order to realize the new and old exchanges with the ancient and the new, the traditional art of opera, in terms of its historical development, should be able to effectively realize its multiple paths under today's scientific and technological culture. When we talk about the connection between opera art and technology, we must treat opera not only as a technique, but also as an art or a culture. Looking at the integration of technology, art, and culture in the integration dimension of body, mind, technique, art, morality, and heaven, science and technology contribute greatly to the spread of drama, as well as the new system created by the fusion of modern technology and opera, and the art of opera. The essence of Chinese culture embodied in the Chinese thinking and the possibility of its transformation in modern innovation will be even more sublimated. In the era of melting media, in the context of modern science and technology, the new space and new posture required for the spread of traditional operas, the dissemination and creation of culture beyond technology, how science and technology can be better integrated with culture, and how to make science and technology possible The inheritance development has a greater effect. All scientific and technological means are actually faced with the pattern of unlimited imagination. At the same time, rejoicing, do not stop at the surface of traditional operas and operas that are only seen by operas. What is more important is the cultural essence of operas. Dr. Lin Ruiwu, executive director of the Chinese Opera Performance Society and former vice president and researcher of the Fujian Academy of Art Research Institute: VR technology enters our traditional opera, bringing many revolutionary changes to the opera, and will make many contributions to the inheritance, protection and education of the opera. . Director of the Chinese Theatre Performance Society, former vice president and researcher of the Fujian Academy of Art, Lin Ruiwu Maybe because our station's angle is not the same, then as a unique art of opera, when combined with VR technology, will it bring some weakness to the opera? First, the drama performance is live, it is a living non- Cultural and material heritage, but as soon as new media is connected to VR, it will become non-live art. Second, the performance of traditional dramas is very lively and creative. The performance of actors in each performance is not the same. The effect is not the same, but once it is converted into another form by the Internet or new media, it All of these things have become the same, so what's lost in this drama? Once again, we appreciate this traditional opera at the scene. The audience's aesthetic mentality and focus are free, but after the new media spread, the opera is actually Been edited by the editor, so the audience is no longer free. Finally, the pace of internet technology is fast, and traditional drama is an art that needs to be tasted slowly. The audience is enjoying it with a peaceful attitude. Therefore, the Internet and traditional drama are actually in a paradoxical state of mind. . Therefore, the above points will not cause some changes and influences on the aesthetics and aesthetic psychology of traditional drama? As a drama practitioner, I hope that VR technology will play its due role in inheriting and developing the traditional opera, but it may bring about a certain weakening of the aesthetics of drama. In order to better carry forward and promote the essence of national culture, I think that when VR technology is involved in traditional operas, it must have enough respect and awe. In addition, the creative process of VR+ operas should also be regarded as a very serious creative process and follow the intellectual thinking of operas. All VR creations should be based on the respect and respect of Chinese traditional operas. Executive Director of the Chinese Theatre Performance Society and Assistant Dean of Wuhan University Art School, lecturer Yi Dong: I think that when we are doing the creative exploration of the virtual presentation of opera, regardless of whether we understand the opera or the practitioner of the study, we must be The art form and aesthetic qualities have some understanding. Chinese opera is the beauty of the universe. We use modern science and technology to present operas. It must be a unique presentation of the culture of poetry, music, and civilization. The traditional opera actor is the first element of the charm of opera, and it is necessary to approach this feature as far as possible. Embodies the combination of science and technology and humanities and art. Q: What are the concerns and expectations of the development of drama culture for the use of science and technology? Mr. Zhang Wulong, Marketing Director of Beijing Huijie Technology Co., Ltd. and Technical Consultant of Beijing Youth International Culture and Art Association: We are mainly engaged in VR content and have also been exposed to a lot of traditional Chinese cultural projects. We have three views on VR+ opera: First is the importance of displaying media. Structure, traditional opera is based on the stage to show, VR is through VR head display in the virtual space at any time and place to experience the stage. This is followed by an upgrade of performances. There are many professional skills in the traditional opera performances and the demands of the audience are relatively high. But for many new generations of audiences, there is no artistic education and it is difficult for them to understand. Therefore, there is a need for performance upgrades to help new generations of audiences integrate into serious virtual performances by setting up some interesting supplementary ways in this virtual space. The third is the virtual character. Our current virtual performance is based on the artist's live performance. However, for the inheritance and recording of the opera culture, including the collection of the action and the actual recording, the essence of the technical performance is recorded to form a record of the real person. The role is for everyone to observe repeatedly. Marketing Director of Beijing Huijie Technology Co., Ltd. and Zhang Wulong, Technical Consultant of Beijing Youth International Culture and Art Association As the VR content developer in Chengdu, I believe that the opera culture is a noble and noble thing that needs us to look forward to, because we are the founder of Chengdu Zhimu Chuangyi Technology and the head of Guangdong's intangible cultural heritage VR shooting and production base Xie Haifeng. Very professional in this area. Founder of Chengdu Zhimu Chuangyi Technology Co., Ltd., head of Guangdong VR filming and production base for intangible cultural heritage Xie Haifeng From a developer's point of view, the scale of the content of non-material cultural inheritance is very large, and either the opera or the religion is a branch of it. Every branch must have its own experts to run in, and the time cost of this running-in process is far greater than the cost of production. It may take only three months for the cost of producing a single content and two years for a running-in. This is a very real problem. It's like doing development knowing technology and programming, but not marketing. In fact, to understand the connotation of operas, more professionals are required to repeatedly run through and make a presentation of content. The immersion and experience of VR is very important, but it can't be mainstream. It is only an aid at present. In the future, perhaps the venue is gone, the theater is gone, and the benefits of the VR platform are common to every practitioner. In the case of a phased concept, this may require a process. There are many types of devices, and various devices are also a big bottleneck for VR developers. The software used for different device development is also different, which leads to the problem of docking all VR platforms and VR devices. In the future, when we set up the role of the people, it is the surrounding scene. At that time, it should not be confined to theatre or dance. It should be heaven, earth, and water. This means that it will be a very good idea to reproduce the beautiful scenes, plus the corner performances. Q: What practical changes can VR technology bring to the development of drama culture? Li Hongxin, general manager of Beijing Disheng Digital Entertainment Technology Co., Ltd.: We can look back at the history of oil painting. In fact, the art of painting originated very early and has been passed down to the present. In the 17th century, when cameras appeared, many artists considered their artistic careers to be over when the cameras appeared. Because the past paintings were largely realistic, they have since been developed. In fact, the art of painting and the art of photography have not affected artistic creation. On the contrary, art will bring them vitality. Li Hongxin, general manager of Beijing Disheng Digital Entertainment Technology Co., Ltd. Drama art has many representations and performance techniques. Our company has helped CCTV as a virtual host since 1999. By the time of 2010, it had a deep cooperation with the Chinese Opera Academy. Many of the masters' actions were actually in his heart. One world, in other words, we see that its chanting and playing are all superficial and do not see the heart, which also prompted us to cooperate with the Chinese Opera Academy later. Nowadays, science and technology can promote the development of opera and other industries. I think this is a very good idea and integration. We established an open experimental platform at the beginning of this year. This platform uses the world's highest-pixel dynamic capture system. There are various other ways of experiencing. I believe we will have more cooperation in this area in the future so that the masters can experience it personally. I think the future construction of our platforms should be reservations, inheritance and development. Keep past data that can be used in future scenarios. Inheriting these applications in teaching, each master fighter will have his standard actions, and these standard actions will provide a complete positioning through VR, rather than a "presumably, maybe." Q: What are the attempts made by the traditional opera performance art +VR? What is the effect? He Yimin, Executive Director of Digital World, is a cross-industry and age-related activity in the Chinese Opera Performance Art + VR Industry Summit Forum. In the development of Opera + VR, there are three issues that need attention. The first is the fusion, the fusion of technology and art, the fusion of performance and creation, the fusion of opera and VR, and we must treat this integration with a tolerant attitude. I think that integration is borderless. We should do things with an inclusive attitude. One of the things I experienced was that we would do what ordinary people like. Enlightened Digital World Executive CEO He Yimin The second is sharing and collaboration. This activity is also to build such a sharing and collaboration platform. Why did we organize this event in this place in Anqing? Why did we invite many VR companies from all parts of the country to come here? Why did you bring in so many expert experts? In fact, we are doing a kind of collaboration to build a platform for communication. The third is the effectiveness. Under the premise of achieving social benefits, we should also consider economic benefits. We must consider creating better cross-border products to serve the people and obtain more economic value in the face of social benefits. Can continue to feed back cross-border integration, so that opera + VR has more room for development. In the future, Enlighten Digital will also work together with experts and scholars in traditional industries to provide a better platform for the integration of traditional industries and R+ technologies. The VR Network learned that this conference included leaders from the Ministry of Culture, Anqing City, Yixiu District, and Tsinghua University, who attended the event. Wang Xuan, President of Digital World, He Yimin, CEO of Digital World, and CEO of VR Virtual Reality Liu Yong, Founder of Qing Hitomi Vision Zuo Houchao, Deputy Director of the New Media Department of China Intercontinental Communication Center Xiang Yi, Li Hongxin, General Manager of Beijing Disheng Digital, Xie Haifeng, CEO of Blockboard Chuangyi Technology, and Zhang Wulong, Director of Beijing Huijing Technology Market, etc. Reality industry big coffee came to the scene. In addition, more than 50 authoritative experts in the theatrical profession participated in the conference and recorded the drama +VR in the future. The 14 opera masters also gathered in Anqing to perform a special performance by Hui Min. They did not forget the beginning of the heart and played in the people. More reports on the first Chinese opera performance art + VR industry summit forum, please continue to focus on VR network (WeChat public number: VR platform). This article is original by VR net, please indicate VR net and chain back.
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